試論柳宮燐漫畫《妄想白蛇》對故事的新編

On Liu Gong-Lin’s Rewriting of the Tale of the White Snake: Wang Xiang Bai She

中國四大民間傳說之一的白蛇故事其故事本身與流傳情形歷來頗受重視，相關研究繁多，學界目前對於白蛇故事的新編作品也有一定程度的討論，然而主要圍繞於小說、戲劇、電影作品，同時對漫畫與遊戲等方面的改編缺乏關注，但筆者以為柳宮燐對白蛇故事進行新編之作品《妄想白蛇》既然採取漫畫形式，作為當代流行文化，則反映了社會文化特徵、氛圍與思潮的變遷。故本文以《妄想白蛇》為分析對象，除了梳理文本如何重寫白蛇故事，還欲探討此新編作品於當代所具之意義，自其採取漫畫為傳述媒介而對敘事層面所起到的影響，以及作品中流行文化所蘊含女性與父權體制之間關係的反映來看，以拓展白蛇故事研究的視野。

The Tale of the White Snake, one of China's Four Great Folktales, has always been attached great importance to, and there are many related studies. At present, there's a certain degree of discussion on the rewriting of the Tale of the White Snake. However, it mainly focuses on novels, dramas and movies, but lacks attention on the adaptation of manga and games. I argue that Liu Gong-Lin's ＂Wang Xiang Bai She＂, the rewriting of the Tale of the White Snake in the form of manga, as a contemporary popular culture, reflects the changes of social and cultural characteristics, atmosphere and trend of thought. Therefore, this paper analyzes how the text rewrites the Tale of the White Snake, and explores the contemporary significance of the rewriting from the perspective of its influence on the narrative level by taking manga as the medium of narration, and the reflection of the relationship between women and the patriarchal system contained in the popular culture, to expand the vision of the Tale of the White Snake research.