周植夫瀛社擊缽吟掄元詩探析

An Analysis of Zhou Zhifu's Yingshe Beating Bowls and Chanting Yuan Poems

周植夫活躍於臺灣光復後之詩壇，參與擊缽吟賽。本文就其在瀛社，自1966年至1981年所主辦之擊缽吟賽中，奪元33次，掄元之作探討之。全文以周植夫生平簡介，敘述擊缽吟歷經日治、國民政府在台灣，活動依舊綿延不絕。台灣詩社，用聲情、辭情的角度，大多保持用閩南語讀音吟誦，此是台灣詩社，得以延續主要原因之一。周植夫掄元詩作表現手法特色。最後得出藉由詩社中的「擊缽吟」創作與交流，傳統漢詩方能在日治時期，得以延續發展，傳統漢詩不但沒有消失，且為現代文學或未來文學，奠下了良好基礎。望此文能有所呼籲，望有志之士，一起創造詩書社會。

Zhou Zhifu was active in the poetry circle after Taiwan's liberation and participated in the bowl-beating competition. Poets did not only have to find content in the piles of ancient books. In addition to having a solid foundation in Chinese, they also had to have an understanding of current events. won the favor of everyone. From the records of the Poetry Society Competition in the Ying Society, this article intends to discuss the works that won the Yuan 33 times in the Ying Society, from 1966 to 1981. The full text is based on Zhou Zhifu's introduction and narration. After the Japanese occupation, the activities of the National Government in Taiwan are still going on. From the perspective of voice and sentiment, Taiwan Poetry Society mostly keeps reciting in Hokkien dialect. This is also the reason why Taiwan Poetry Society has been able to continue. The characteristics of Zhou Zhifu's Yuanyuan poems are explained by his expressive techniques. Finally, it is concluded that only through the creation and communication of 'beating bowls' in the Poetry Society, traditional Chinese poetry did not disappear during the Japanese occupation period. And lay a good foundation for modern literature or future literature. I hope this article can appeal, and hope that people with lofty ideals will create a poetry and book society together.