紀行文としての江文也「北京から上海へ」について－芥川龍之介『支那游記』との対比を通して－

紀行文としての江文也「北京から上海へ」について－芥川龍之介『支那游記』との対比を通して－

音樂家江文也於1936年發表了《從北京到上海》。雖然這個作品和之後被稱做''大陸作品''的詩作不同，而是一篇紀行散文，但是目前看不到有學者從這個的觀點來研究。依筆者看來，唯有將此作品從紀行這個文學體裁來分析，才能更精確地理解《從北京到上海》之本質。本論文的目的是：透過跟江文也所參照的芥川龍之介《支那游記》的對比作業，考察紀行《從北京到上海》的特徵以及對江文也而言大陸體驗的意義。
In 1936 the composer Jiang Wen-Ye published his work “From Bei Jing to Shang Hai”. This is not one of the poetical works which belong to the so-called continental series, but a travelogue. Though nobody adds careful attention to this fact, but we think this work should be understood correctly by reading as a genre-travelogue. This paper’s aims are to make clear the features of the travelogue “From Bei Jing to Shang Hai” and understand significances of his continental experiences by contrasting with “China Journey” of Akutagawa Ryunosuke to which Jiang had made reference.