當代詩語言修辭模式研究──以臧棣《騎手和豆漿》為取材對象

The Modes of Rhetoric in Modern Poetry: An Object Study of Zang Di's Rider and Soymilk

本文以臧棣的詩選集《騎手和豆漿》做為修辭模式的評論實踐對象，除提供臧棣詩語言不同面向的詩歌特點討論，亦簡要的述及當代詩評論的構想及來源依據，針將當代詩評論在方法學上的進路，提出具體且有效性的分析案例，從指標性的詩作細讀出發，到創作者精神面向的闡釋，相信修辭模式批評所能達至的詮釋深度並非只從詩歌技術進行表層的分析，更可以深入到創作者的思維方式並擴及到文化啟示，進而指明詩歌歷史發展的縱深及走向，應可做為當代詩學評論的參考。

This paper is a critical practice on the modes of rhetoric in Zang Di's poetry anthology Rider and Soymilk, discussing different aspects of Zang Di's poetic language and summarily touch upon concepts and sources of modern poetry criticism. A recommendation on the methodological approaches in modern poetry criticism is provided with aims at detailed and practical case analyses. Landmark poetic works should be selected for close reading, and interpretation should focus on the author's spiritual aspects. This approach believes that criticism on the modes of rhetoric can only reach a meaningful interpretative depth if it ventures beyond the analyzing technical details of poetry. It is essential to penetrate this surface and reach the level of the author's way of thought and expand to cultural revelations, thereby identifying the breadth and trajectory of poetics as a historical process. The findings of this research can serve as a reference for a critical praxis of modern poetry.