英文摘要 |
In 1891, Kek Lok Si was established on the Malaysian island of Penang. Its ancestral court is the Yong Quan Temple in Gushan, Fujian Province, which inherits the lineage of the Lin-Ji and Cao Dong schools; it also has significant historical significance in Southeast Asian Chinese Buddhism. The Kek Lok Si Temple Gazetteer shows that the great inscriptions of poems and inscriptions of local gentry and literati from the south show that the temple has become an essential cultural symbol in addition to religious and political significance. The study examines the two systems of elegant literature that center around the temple: social circles of Fujian literati linked to the Gu Shan Yong Chien Temple and inscription societies of literati to the south and Nanyang gentries during the Late Qing and the Early Republic of China, and poems of Kek Lok Si in Penang Sin Poe. The study then continues to investigate the family-country connection and cultural imaginations suggested by the two types of literary groups in the temple inscriptions. It then discusses the cultural dialectics between Chinese/barbarians, barbaric land/pure land, and so on. Kek Lok Si inscriptions are heavily "Chinese-oriented." Finally, it discusses Kek Lok Si's sense of place as shaped by Chinese poetry, which not only reflects the various dimensions and connections of seas, islands, China, India, and the United Kingdom but also expresses Kek Lok Si's unique geographical location and historical context, which enabled it to accommodate all the possibilities of Chinese and foreign affairs. |