鬼魅之為用及其轉化：談周夢蝶＜「怪談」剪影四事＞

The application and transformation of ghost: Talk about Chou Meng-Tieh（The Ghost story: Four things in silhouette）

詩僧周夢蝶有詩近四百首，以濃厚宗教情懷為特色，間而鬼聲飄盪、魅影幢幢；詩人擅寫鬼、說鬼、想像鬼，往往賦予自然精魂以美麗而哀愁、禮貌又親切的形象。鬼魅書寫經典代表作〈「怪談」剪影四事〉，在不悖離電影《怪談》敘事基調、精緻恐怖氛圍之餘，亦不減其冷凝觀照、低眉垂憐的深情本色，而能不著痕跡地將敘事、抒情冶為一爐。本文就兩大面向展開論述，其一，耙梳〈「怪談」剪影四事〉和《怪談》中的鬼蹤魅跡，釐清詩人如何賦予鬼以情感化、人性化，探究其美化、詩化鬼魅形象之用心；其二，微觀〈「怪談」剪影四事〉對《怪談》的接收、剪裁、濃縮、擷取及鎔鑄變化。分從「罪與罰：愛情的救贖之道」和「雪與火：人性的淬鍊昇華」二端展開論述。深入詮解四詩（含「本事」）之用語、句式及意象、主題創造，兼論敘事表現，以掘發詩之深層旨趣，及其與電影相合相異處。

Poet monk of Chou Meng-Tieh composed around four hundreds of poets. He presented strong religious sentiment with ghost sound and movement. He expertizes on writing, talking, and imaging various ghosts. He prefers giving the styles to the spirits with beauty and plaintive, polite and gracious. Indeed,“Ghost story”Four things in silhouette does not depart from basis of the movie“Ghost story”in horror atmosphere and the deep feeling of condensed watch and mercy. Therefore, the poem integrates narrative and lyric. This article focuses on two aspects- one is to track ghost and compare the ghost in“Ghost story”and“Ghost story: four things in silhouette”and to highlight how a poet brings the ghost with the affection and humanization to discover the diligence of the beauty and poetics of ghost. Secondly, to observe how the ghost story: four things in silhouette received, derived, transformed, condensed and tailored the elements from the ghost story in micro level. From the two ends, crime and punishment: the way of love and salvage, and snow and fire: sublimation of humanity, which established the comprehensive discussion. It deeply interprets four poetries, including the terms of the story itself, sentences and the meaning, and creation of the theme. Narrative presentation is also discussed. This article revealed the in-depth concerns of the poetries and their commons and differences with the movie.