從山河到青春山河──詩人林梵的人間情懷

From 'Shan He' to 'Ching Chun Shan He' : The Human Feelings of Lin Fan

本文追溯了林梵詩歌長期以來的發展過程，特別是以楊雲萍作為參照點，試圖投射出林梵詩藝道路的成長經歷，具體地觀察其文學語言風格的轉變，及其最終達到的哲思深度與人生體悟。楊雲萍說：歷史家失去歷史而歷史家，詩人失去詩而詩人。忘卻了語言與文學虛構的真實之後，創造者所遺留下來的肉身，是美好而沉重的肉身。當詩人把外在風景與內在自我，重新以詩歌彌合起來，才是林梵最終達到的現實，也是楊雲萍對其學生最誠摯的期許。而這就是林梵詩作的「人間情懷」。

"This article traced back to verse development process for long time of Lin Fan, especially regarded Yang Yun-Ping as the reference point, trying to projected growth of the poetry of Lin Fan , concretely observeed its changing styles of literature language, and it finally reacheed to the state of philosophical thinking and appreciation from life experience. Yang said: The historian lost history and then as a historian, the poet lost poetry and then as a poet. By means of forgetting the inventing facts of language and literature, the so-called 'Body' that the creator left over, it is a fine but heavy body. When the poet chaseed outside scenery and inside self, wove both together into verses, and this is the final reality of Lin Fan. Meanwhile, that is what Yang expected of his student. All of this could sum up 'the human feelings' which was expressed by Lin Fan."