《藍星週刊》研究

A Study on Blue-star Poetry Weekly

1950年代是現代主義導入與狂飆的年代，也是現代詩運動與論戰狂熱的年代。現代詩社、藍星詩社、創世紀詩社等，都有引領風潮或推波助瀾的功績。而《藍星週刊》是藍星詩社第一份機關報，是其最初發聲的園地，研究1950年代的詩社、詩刊或文化，遺漏這個重要詩社的發表場域，恐將失之偏頗。《藍星週刊》不僅在1950年代台灣貧瘠的新詩土地上提供發表園地，提倡抒情與純正詩藝，也清楚顯示藍星詩人維護新詩的積極態度，更挺身檢討自己創作的缺失，以此勉勵詩人們要有反躬自省的精神，以走出當時虛無晦澀與政治干擾的創作氣氛。本文以全觀的角度，從《藍星週刊》的發行與編輯、作者與作品、翻譯與評論來探究，而體會當時詩刊出版環境之不易，與詩人理想之堅持，更多的是不同多元聲音的發現與傳播。

"1950s witnessed the introduction of modernism into Taiwan and its subsequent ferment there. Modern Poetry Association, Blue-star Poetry Association and Genesis Poetry Association all contributed significantly to the development of Taiwan modern poetry. As Blue-star Poetry Weekly is the first official publication of the Blue-star Poetry Association publishing works by its members, literary historians should not forget to pay attention to this important periodical.This author observes that BSPW is a precious space for publishing poems, for promoting poetry with lyricism and poetic art, and for protecting modern poetry with the enthusiasm of a guardian angel. In addition to poems, BSPW also published articles reflecting on the members, attitudes of writing modern poetry and advocating a poetry free of vagueness and political intervention. This present article will comprehensively examine BSPW in terms of editorial policy, circulation, poets and their works including translation and criticism. It will also demonstrate that BSPW appeared and continued publication in times of hardship, that it was sustained by the perseverance of the poets and that different opinions about poetry were aired and communicated."