以《旅遊寫真‧孟樊旅遊詩集》中國行──看旅遊詩的出走與回歸

Leaving and returning of Tourist Poems by using the China trip of“The Images of Travel: Meng-Feng’s travel poems＂

孟樊作為文學理論分析的學者，一方面引介許多外國文學理論，形塑現代批評的闡釋與實踐；同時又作為一名詩人，一方面創作現代詩。本文藉以孟樊《旅遊寫真•孟樊旅遊詩集》的「中國行」作為研究對象，析論他如何在闡述與創作雙向轉化的過程，從詩語言的空隙，以「旅遊詩」完成動態的閱讀行為，除旅遊地景書寫的主題以外，同時看到詩人在「都市文化」及「自然景觀」不同的旅遊詩書寫，抑或反思急速發展的都市，挖掘記憶底層的中國古都，抑或獵奇自然，面對那些文史典故的反思與緬懷，呈現全新的書寫位置。

"As a scholar of Literary Theory Analysis, for one thing, Meng-Feng introduces many Foreign Literary theoretical studies and constructs interpretation and achievement of Modern Literary Criticism; for another, be a poet, he composes modern poetry. In this paper, by using China trip in The Images of Travel: Meng-Feng’s travel poems as an object of study, analyzes how Meng-Feng does the bidirectional transformation by researching and composing the Tourist Poems.Besides the theme of writing about the landscape during travel, we find the poet that writing the Tourist Poems based on Urban Culture and Natural landscape in different types to present a brand new writing position."