臺灣當代竹藝多媒材產品的表徵與意義：以「竹跡」當代國際竹藝展為例

The Characters and Meaning of Contemporary Bamboo Multi-Material Products in Taiwan: The Case of“Bamboo Traces: Contemporary International Bamboo Art & Craft Exhibition”

竹藝製品被視為亞洲傳統文化的象徵之一，臺灣竹藝產業發展歷經百年發展，具有悠久的傳統。隨著時代的演進，不少新一代的創作者開始嘗試將現代新材料、新製造技術運用於竹藝產品開發，呈現多元的創意、多樣的風貌；然而，過往可能受限於現實環境、素材或研究工具的不足，導致竹藝研究的題材不僅少且偏向歷史、產業文化層面為主，對於竹藝運用多媒材創新的發展脈絡，尚待研究者投入；緣此，本研究即以現有的竹藝多媒材創新產品為分析對象，藉由質性觀點的內容分析法、質量混合的社會網絡分析等方法，探究其發展脈絡，進而歸納、解析此類創新設計產品其表徵與意義。研究成果整理如下：（1）整合當代創新的竹藝多媒材產品設計在類型、材料、加工方面的特徵；（2）解析創新的竹藝多媒材產品在功能、媒材、加工三項因素的社會網絡關係；（3）建構竹藝多媒材產品發展脈絡框架，供後續研究或創作者的參考。

"The Bamboo products are seen as one of the symbols of traditional Asian culture. The bamboo industry in Taiwan had been produced when the Hans came to Taiwan for cultivation since the Ming and Qing dynasties. Along with the evolution of The Times, the creators of many new generations no longer satisfied with typical with single bamboo production pattern, implements trying to apply modern new material, new manufacture technology development in the decoration products, shows the creativity of pluralistic, diverse style. Because there are not enough studies with systemic methods for the maturation of this domain, accordingly, this study adopts the content analysis, social network analysis with the existing bamboo works to explore its features and significance, and integrated the development of multi-material in the design of bamboo craft. The findings are as follows: (1) the innovated“multi-material products of bamboo”issues in the relevance of function, multi-material, and processing on products are integrated; (2) to analyze“multi-material products of bamboo”issues on the social network relationship between function, material, and processing; (3) to construct an overall contextual framework of the“multi-material products of bamboo”within the growing topic of creation and point to some possibilities for further research."