楊牧序跋文中的現代詩批評

The exploratory research of the new poetry societies in Taiwan in the 1980s—The Case of''Horizon''and''Four Dimensions''

楊牧做為台灣當代文壇祭酒，以詩、散文、翻譯家、學者形象名世，但一般讀者較未能深入意識到楊牧現代詩批評的功力，且楊牧的序跋文迄今也未成為「楊牧學」的研究視角之一，從序跋文再延伸討論楊牧的現代詩批評成果也屬新鮮並具有開創性的研究領域。因此本文先著手整理出楊牧有關詩集類出版品的引言和後記等書寫材料，建構目錄以做為討論範疇；接著追溯楊牧學術訓練的背景，介紹楊牧博士論文的研究進路及成果；並觀看詩人如何將抒情傳統的主體性過渡到當代現代詩批評之中。論文後半段集中處理楊牧在東西方的學門訓練下，所展現的序跋文敘寫特徵，包括文人交遊往來記述、戲劇獨白體的表述形式、新批評細讀法的文本分析、主題思想的詮釋、詩觀的闡釋與發揚、文學史脈流的考辨梳理及東西方比較文學的觀察等面向，綜述楊牧序跋文的批評視野，最後論及楊牧自身跨文化詩學的文學意識及文化幅射效能。

As one of the foremost authorities of contemporary Taiwanese literature, Yang Mu is renowned as a poet, essayist, translator, and scholar. However, some readers might not be fully aware of his sharp criticism of modern poetry. His prefaces and postscripts have not yet been taken as one of the research perspectives in ''Yang Mu Studies.'' A study of these materials extending to Yang’s criticism of modern poetry would be a fresh and inventive research angle. This article lists Yang’s prefaces and postscripts written for other poets. It will then trace Yang’s academic training, introduce the analytical trajectory and contribution of his doctoral dissertation; and, highlight how the poet’s critical subjectivity transitions from the tradition of Chinese lyric poetry to modern poetry. The article then delves into the elements of narrative in Yang’s prefaces and postscripts. Influenced by an academic training of the East and the West, these texts are characterized by the records among the literati, dramatic monologues, the close reading of New Criticism, thematic interpretations, articulations of his views on poetry, researches of literary history, and com parative studies of Eastern and Western literature. In the hope of tracing his literary awareness and cultural impact, the article probes Yang’s crosscultural poetics by evaluating these elements.