悲劇但不悲觀的滑稽英雄：紀弦自嘲詩之「荒謬」意識

The funny hero is tragic but not pessimistic: The''Absurd''consciousness of Ji Xian's self-mockery poems

1950年代現代派盟主紀弦，其自敘傳式的詩作帶有濃厚的英雄主義以及該諧的嘲諷特色。羅青曾在〈紀弦論俳諧〉一文中將紀弦詩的詼諧作了相當程度的探討，特別指出其詼諧意識即是「對人類命運開頑笑」，是一種遁逃，也是一種征服。本文以此為基礎，就其征服所表現的反叛性，一如卡繆所提出的「荒謬」之說加以探究，從紀弦帶有自嘲質性的詩作中分別闡述其所表現的如「超人」的英雄意志、在自我嘲諷中呈現滑稽的悲劇人生，以及運用其所特有的狂放、自傲，卻又詼諧的睥睨姿態來超越命運，使其詩作呈現出矛盾的張力，深層表現出卡繆所示「沒有不能以蔑視克服的命運」。期經由本文的討論，得以為紀弦的自嘲詩作開拓更多可予再思的視角。

The modernist leader In the 1950s, Ji Xian wrote a lot of poems through-out his life. His poems are characterized by largely autobiographical andhumorous irony. Luo Qing had discussed the humor of Ji Xian's poems to aconsiderable extent in his article ''The humorous of Ji Xian's poems''. Hepointed out that Ji Xian's humorous consciousness was ''a sneer at the fate ofmankind''. That was a kind of flight and conquest. Based on this, this articleexplores the rebellious nature of its conquest, as the absurd theory propoundby Camus, and elaborates its performances of heroic will ''Overman'' from JiXian's self-mockery poems. It presenting a funny tragedy life in self-mock-ery,and using its unique wild, proud, but witty stance to transcend destiny,-making his poems show contradictory tensions, deeply showing the thoughts by Camus ''There is no fate that cannot be overcome with contempt.'' I hope that through the discussion in this article, It will be able to open up more re-thinkable perspectives for Ji Xian's self-mockery poems.