紀大偉《感官世界》的酷兒實踐

The Queer Writing of Chi Ta-wei, in Queer Senses: A Story Cycle of Sexualities

許多原來在體制內被視為畏途、列作禁忌的題材，在臺灣百花齊放的當代文學領域中，已然可以登堂入室成為學術提問。本論文將探討紀大偉在《感官世界》一書的顛覆性格，以〈美人魚的喜劇〉、〈色情錄影帶殺人事件〉與〈蝕〉為例，從敘述設定、慾望操弄，以及性別批判等方面進行論述，試圖探究紀大偉如何以「酷兒」(Queer)性格作為立基精神，表達對傳統的、霸權的及僵化的文學體制與性別論調，提出質疑、鬆動，甚至是嘲諷及顛覆。

In contemporary Taiwan literature, themes that were avoided and banned as taboos are now becoming a distinct domain in academic studies. This article aims to discuss the subversive features in Chi's book Queer Senses: A Story Cycle of Sexuality, in which we focus on stories ''A Mermaid's Tale'', ''I Am Killed With One SM Porno Videotape'' and ''L'Eclipses.'' We analyze the discourse of narratives, manipulations of desire, and gender criticism to demonstrate how Chi employs Queer disposition as a basis to challenge, undermine, taunt, and even overthrow the hegemony and rigidity of traditional literary system and gender issues.