存在的重量：從跨文化的意義上對《艾克人》和《對話與反詰》的比較

The Significance of Existence: Comparison on Transculture between Les Iks and Dialogue and Rebuttal

「真實」是彼得‧布魯克和高行健戲劇創作的最基本價值判斷，關注存在則是他們達到「真實」的重要途徑。而存在本身的紛繁複雜讓布魯克和高行健沒有只把目光局限在一種文化或價值體系中。本文通過對布魯克的《艾克人》和高行健的《對話與反詰》的比較，分析他們如何在多文化的視角裡凸現存在的重量，及對其文化背景下的價值判斷的思考。

Truth is the main guiding principle for both Peter Brook's and Gao Xingjian's dramatic creations. Both Brook and Gao focus on existence as the basic means for achieving ''truth''. But the complexity and diversity of existence allow Brook and Gao to expand their vision beyond a single culture or system of values. This article will analyze how these two authors bring to the prominence of the significance of existence from a multi-cultural perspective and their reflections upon the source of value judgments in individual cultural contexts.