從陳冠中《香港三部曲》中看香港人的身份轉變

Hong Kong people's self-identity in Chan Koonchung ''Hong Kong Trilogy''

自七、八十年代香港的本土意識崛起，使香港人逐漸思考其身份認同，開始引起大眾的討論，但是香港長期經歷殖民──國族──本土之間的混雜，香港人的身份也因此變得複雜。回歸以來漸漸的「赤化」，近年來香港人終於意識到身份上的問題。值得關注的是，在2014年「雨傘運動」以後，無形之中使港人提早對「五十年不變」的變質產生關注與憂心，從習慣活在資本主義下的香港人，藉此重新對現今自我身份的思考。本文會以陳冠中《香港三部曲》為例，並加以分析作品中的寄喻，針對陳冠中筆下的「香港人」身份意義，在七十年代至千禧年的身份角色變化如何？在看似只不過是對典型香港人的書寫，卻是有陳冠中對香港人與社會發展的雙重寄望，本文將以歷史角度對七十年代、八十年代、千禧年後三個時代的三種身份的分析，更不難發現香港人身份危機問題愈來愈模糊、嚴重，由此展開對香港一種新的混雜身份的寄喻。

Since the rise of Hong Kong local consciousness in 1970s and 1980s, Hong Kong people think about their self-identity gradually and Started to caused public discussion. But Hong Kong has long-term complicated experience between colony, nationality and native. The identity of Hong Kong people has thus become complicated. Since the handover of Hong Kong in 1997, Hong Kong Society is being ''brain-washing'' constantly. In recent years, Hong Kong people have realized the problem of identity. It is noteworthy that, Hong Kong people were concerned and worried about ''Remain Unchanged for 50 Years'' starting from the ''Umbrella Revolution'' in 2014. This paper takes Chan Koonchung ''Hong Kong Trilogy'' as the main observation point with analysis fiction of metaphor. Regarding Chan Koonchung writes about the identity meaning of ''Hong Kong people'' and how did the role of identity change from the 1970s to 2000s? This research focus on history background as entry point to analysis of the three identities in 1970s, 1980s and after 2000s, and show the identity crisis of Hong Kong people is becoming more and more vague and serious.