疾病與身分的辯證：論戰後鍾理和的療病日記與文學重述

Dialectics of Disease and Identity:Exploration on Chung Li-Ho’s Recuperation Diary and Literature in the Postwar Period

1946年8月鍾理和（1915－1960）返臺後不久即發現身患肺結核，於1947年兩度北上療養，期間日記寫作和文學創作仍持續不輟。逝世前更重新回顧病中生活，創作〈手術臺之前〉、〈閣樓之冬〉、〈楊紀寬病友〉等短篇。疾病向與社會變遷極為密切，不僅表徵身體與文化之間的認知連結，也涉及主體經驗和身分管理的相互關係。鑒此，本文就戰後鍾理和臺北的肺病療養（1947－1950）為考察時段，以此間經驗所著的療病日記和文學作品，討論失能主體的感官、肢體、情緒、心智之互涉運作，呈示作家以身體為敘事空間的主體再現與文化處境；論文結構上，首先整理戰後初期鍾理和返臺生活與創作，探究其療病前後的心路歷程與日記書寫；再者，由鍾理和的疾病文學展開討論，比對北上療病期間與逝世前之文本書寫，析論疾病對個人／社會的身分辯證與語言除魅；最末，綜論鍾理和疾病書寫的敘事能動性。鍾理和疾病書寫的「身體」是病患主體性的象徵，也是敘事話語的場域。本文意由鍾理和文學的肺病記述，析論融合身體經驗與私語言說的自我覺察與身分敘事。

Chung Li-Ho was diagnosed with tuberculosis shortly after returned to Taiwan in August 1946. He continued writing and produced short essays during treatment: In Front of the Operating Table, Winter in the Attic, and Patient Yang Ji Kuan. This paper discussed Chung’s dairy and literature while receiving treatment in Taipei in the Postwar Period (1947-1950). Specifically, it explores the mutual effects between Chung’s sense, body, emotion, and thoughts when he experienced physical dysfunction because of tuberculosis, thereby describing the author’s treatment life and cultural situation. First, compiles Chung’s works and daily life records upon returning to Taiwan and examines his experience and diary before and after receiving treatment. Next, discuss Chung’s disease-related literature works and compare the content during treatment and before death. It facilitates the dialectics and disenchantment of the relationships of disease with the self and society. Finally, it summarizes the narrative agency of disease-related works created by Chung. In these works, the body represents the subjectivity and serves as the field of narrative discourse. Describing Chung’s literature on tuberculosis clarifies the narrative performance and self-perception that integrates physical experience and private language.