節慶音景：浮泛的民俗印象之為有特色的聽覺情境記憶與再現

Festival Soundscapes: As the Drifting Folk Impressions or as the Memory and Representation of Extraordinary Auditory Situation (Circumstance).

祭典或節慶時光自有其不同於日常生活經驗的獨特風貌，人在其中穿梭，接觸著慶典舉行過程必有的特殊活動與景觀。不同類型民俗節慶進行過程當下，還經常伴隨與特定活動息息相關的音聲現象，乃至表現為特徵性的音聲景觀。本文主題從此節慶的音聲景觀為目標，經由不同節慶音聲現象特徵，包括與活動當地地緣關係密切、各種民俗音樂類型，及此整體音聲組織與環境、活動組成關係的分析。本文意圖嘗試解讀節慶活動中屬於「聲音」層次的景觀文化及其所以蘊含「節慶」性質的可能性。援引「音景」（soundscape）理論的討論模式與分析概念，進而說明各類慶典所在民俗空間音聲表現與佈置關係，指出辨識不同民俗節慶各有音聲文化特徵內涵的必要性。

Festival times are different from the everyday life experiences and become distinctive occasions, in which people spend time strolling back and forth and participating in the festival events, and in which people become the focus of these festivities. Along with different genres of festivals, certain sound phenomena combine into extraordinary soundscapes. The theme of this research begins with the subject of“festive soundscape”by discussing the characters of chosen sound phenomena from different festivals, including the geographical relationships between specific sounds and certain locales, the varieties of folk music genres, and the analysis of sound texture in relation to their production environments and the components of selected events. This research aims to examine the“sound”aspects of festivals, and the“festival”qualities accordingly. Built upon the theoretical framework of“soundscape”this research illustrates the sound expressions and arrangements in the folk space of festivals, and the necessity for identifying various cultural meanings of different festive sounds.