英文摘要 |
In the 1940s, Zhang Ailing made her debut in Shanghai's literary world, and she was reputedly born out of nowhere. But her fame in one fell swoop was closely related to the nourishment she drew from the world-famous Hollywood movies at the time. She used her years of accumulated experience in watching movies into her unique narrative skills in her novel creation. The free transformation of time and space, the development of dramatic plots, these film features are eclectic by Zhang Ailing. Her visual transplantation of ''photographic'' , ''close-up'' and other image rhetoric, not only brings readers a strong sense of picture on the sensory level , And strengthened the advantages of the novel language in reaching the characters' hearts. And the contradictory treatment of gender, economic class and values in her novel narrative also has the style of Hollywood neurocomedy. For a long time, research on Zhang Ailing’s novels often quoted her sayings that ''green and pink'' and ''life is a gorgeous robe covered with lice'', and marked the contrasting desolation aesthetics for in-depth discussion. But it often overlooks the comedy style of her novels. Even if I occasionally observe the characteristics of Zhang Ailing's comedicization, most of them abandon the novel and focus on talking about Zhang Ailing's comedic talent in film production. In fact, Zhang Ailing's comedy in her novel creation is also worthy of attention. The influence of Hollywood Screwball Comedy on her creation is not only reflected in the level of her attempted movie dramas, but also reflected in the textual paradigm and gaps in her novel writing. This article intends to start from the perspective of Hollywood neurocomedy, and try to discuss the comedic characteristics of Zhang Ailing's novels in plot writing and text dialogue. |