英文摘要 |
Reality-based television has emerged as a global TV genre which represents a distinctive passion for 'the more real'. Following an argument from McLuhanian theory names 'psychotechnology' which means the co-constructive relationship between media technology and audiences, this article explores the new cultural politics on reality TV in the context of digital and global era.The conclusion indicates that the reality TV audiences are getting rather eager to see a more technologically confirmed and immediately live spectacle, which are considered to be more real. The audiences are also becoming a technologically skilled audience, who embodies the mediated sensibility and possesses all kinds of media literacy and collective intelligence to response and intervene into the reality claim of reality shows. Paradoxically, the local audiences believed that the imported reality shows are far more real than the local ones. This study pointed out that the passion for the more real has reversed the mental distance on the global and local TV reality. |