香港黑道電影中的台灣黑幫之奇觀形象塑造

Hong Kong gangster movies' narrative in shaping Spectacle Image of Taiwanese gangsters

香港電影大幅占據台灣的視覺文化，對台灣觀眾影響甚深。資訊爆炸的時代，虛構與真實的界線越發模糊，視覺文化亦足以影響真實世界的發展。而香港電影中所呈現的台灣，在大量的輸入台灣之下，多少影響了台灣人自我認同的觀點；另一方面，香港作為世界電影的輸出要角，影響了全球觀眾的台灣印象。因此香港電影「所形塑的台灣印象，有被討論的必要性。一九八○後至九○年代初期，香港產出大量黑道電影，劇情中經常出現台灣角色，其所呈現出的台灣形象皆帶有落後、野蠻、不理性的「奇觀」想像。如此刻意偏頗地放大台灣粗俗落後的印象，往往特別用以觀托香港為文明、先進的場域。香港電影藉此建立香港人的自我認同，並且補足長期在歷史上的空缺，有其潛流脈絡。面臨回歸大限的不安氛圍裡，試圖補足政治上所不能確定的主體性，或許時代集體意識的產物。本文探討香港回歸前十年間的黑道電影中，刻意營造粗俗、草莽的台灣角色以及劇情之佈局用意，以三部電影中的角色設定作為案例說明，再試圖探究此佈局的內、外部可能因素。透過探討此議題，使香港黑道電影的閱聽人對如此奇觀式台灣的佈局提起意識，讓其在享受視覺文化的戲劇張力之餘，意識到其片面取材的角度，而不至於受偏頗觀點限制。

Hong Kong had been the second-largest film export after Hollywood. It has influenced Taiwan impression by the audience around the world. From the late 1980s to 1990s, Hong Kong produced a large number of gangster movies, often featuring Taiwanese characters, and its image of Taiwan was all irrational ''spectacle'' imagination. This paper finds three Hong Kong gangster movies has a one-sided focus on vulgar behavior, backward image and other negative aspects of Taiwanese characteristics to be the examples of this special phenomenon. All three movies used Taiwan as a form of a mirror to strengthen Hong Kong people's own identity. In this period, Hong Kong gangster movies had used some tactics to complement their absence in history often. In the unsettling atmosphere of ''the handover of Hong Kong'' , perhaps it was the product of the collective consciousness of the time. However, Hong Kong movie has greatly occupied Taiwan's visual culture and have a profound impact on Taiwan's audience. The image of Taiwan based on the considerable amount of Hong Kong movies has somehow influent Taiwan people's own identity as well. This study tries to explore the internal and external factors of this layout and make the audience aware of the angle of the movie, rather than being limited by biased views.