從《二十四詩品》之「雄渾」探析趙無極作品的詩意空間

Analysis on the Poetic Space of Zao Wou-ki’s Works from the “Vigorous Style” in Twenty-four Grades of Poetry

趙無極在藝術創作中推崇詩詞和繪畫作品的靜虛關係，肯定詩與畫的表達本質相通，因此在他的藝術作品中傳達出一種詩意美學。本研究從《二十四詩品》中「雄渾」一品的美學思想角度，探析趙無極藝術作品中抽象的詩意空間。研究共分三個階段進行：第一階段相關文獻蒐集分析與整理，提出司空圖的《二十四詩品》與趙無極的藝術作品均受老莊的道家思想影響，傳達出「韻外之致」、「象外之象」的藝術魅力；第二階段針對「雄渾」一品進行名詞釋意，以及歸納其美學思想為：整體渾然之美、傳神流動之美、自然含蓄之美；第三階段以亞洲大學現代美術館趙無極回顧展展出作品為研究對象，針對不同時期的藝術作品借助「雄渾」中的美學思想進行分析與釋意。藉此解讀趙無極藝術作品背後所蘊含的東方美學及詩意空間，期望透過分析能幫助藝術創作者汲取趙無極抽象藝術之經驗，在藝術創作中啟發與借鑑。

 

Zao Wou-ki advocates the static and imaginary relationship between poetry and painting works in artistic creation and recognizes the interlinked nature of poetry and paintings. Therefore, his works of art show a poetic sense of beauty. From the angle of aesthetic thought of "vigorous style" in Twenty-four Grades of Poetry, this study investigates the abstract poetic space in Zao Wou-ki’s works of art. The study was conducted in three stages: the first stage is about the collection, analysis, and sorting out of relevant literature, and it puts forward that Sikong Tu’s Twenty-four Grades of Poetry and the artistic works of Zao Wou-ki are both influenced by Taoism thought of Laozi and Zhuangzi, showing the artistic fascination of “ charms beyond surface attraction” and “the image outside the image”. The second stage is about the interpretation of “vigorous style” and the generalization of its aesthetic ideology: the beauty of the integral whole, the beauty of the vivid and lifelike, and the beauty of the natural and implicit. In the third stage, with the exhibits in the retrospective of Zao Wou-ki’s works at the Museum of Contemporary Art of Asia University as the objects of study, it analyzes and interprets the artistic works of different periods with the aesthetic thought of "vigorous style". It tries to interpret the Oriental aesthetics and poetic space behind Zao Wou-ki’s works of art, hoping to help artists draw on the experience of Zao Wou-ki’s abstract art and provide some inspiration and reference for their artistic creation.