英文摘要 |
Ian McEwan’s Saturday is a Condition of England novel inspired by the collective fear of destruction embodied in the 9/11 terrorist attacks. In this paper I explore the way in which McEwan extends his distinctive engagement with confrontation and destruction through his recollection of historical incidents. McEwan’s strategy in recollecting and measuring fear in historical moments, usually in the form of Henry Perowne’s soliloquies, provides a chance to reflect upon the contemporary moment and to estimate possible developments of current crises. If fear is something unexpectable, unmanageable, and unimaginable, then recalling memories of past fears will constitute a route plan orienting us towards an understanding of what we are now (by knowing what we were before) and what we will become (by excluding what we will not become).
This paper attempts to read fear as represented in McEwan’s works in light of risk and fear theories. As this paper argues that fear is unpredictable and unpreventable, it also reveals a social and historical dimension to its complexity. I use Maurice Halbwach’s theory of collective memory critically to clarify McEwan’s representation of fear in this post-9/11 novel, Saturday. Successive resurgences of historical incidents reconvene a post-9/11 traumatic memory. A collective sense of urgency brought about by the lurking presence of past incidents turns out to intensify the presence of pressing dangers. In this way, personal memory becomes a major site to which a sense of insecurity is summoned and transformed into fleeting moments of fraternity in the wake of disasters. Most importantly, recalling memories of chaos and fear presents a chance for communication, compassion, and reconciliation because it evokes a sense of concurrence which we all inhabit and in which we all survive. |