英文摘要 |
The thesis focus on the meaning of description about commercial agriculture in Kenji Miyazawa's texts in his later years, mainly taking up the literary poetry ''Sideline'' and the children's story ''The Biography of Gusukobudori''. It clearly showed that Kenji also has negative assessment to himself actively attending in commercial agriculture in the past, and it has led to self-criticism against the involvement with agriculture as an intellectual. ''Sideline'', the literary poetry base on the integration of an intellectual narrator and a young farmer carrying out commercial agriculture, and ''The Biography of Gusukobudori'', the children's story of the differences between the intellectual Budori and the farmer Red Beard carrying out commercial agriculture; the attempts to relativize against his position as an intellectual have been made in these two texts respectively. |