西港香科武陣拳術田野調查

A field study of quanshu of Song-Jiang Martial Troupes in Xigang religious festival

本文旨在調查西港香科武陣中的拳術項目及其由 來。本文選定參與 2015 年西港香科中 14 陣武陣為研究 對象。研究方法，採田野調查法，輔以參與觀察、訪談 法、文本分析，並以三角測定法交叉檢視各項資料。研 究結果顯示，西港香科武陣中之拳術套路項目有春桃鶴 系列、武當戰拳系列、羅漢鶴與羅漢拳系列、綑花散寺 拳系列、太祖拳系列、羅漢拳系列、飛鶴拳系列、梅花 拳系列、達尊拳、詠春拳系列、永春拳系列、金鷹拳系 列、自編傳統、競技武術，及其他單一拳術。本文從「原 陣隊員」性質與「外來支援」性質檢視拳術套路的由來， 其中以以「主要教練沿傳」類型傳播之套路為最，此與 武陣中的「暗舘」文化有關。歷經歷史累積與淬鍊後， 西港香科武陣已蘊含獨有的拳術套路，且與在地文化發 展息息相關，後續研究有必要更深入探究拳術的相關議 題。

The paper aims to investigate the quanshu (the martial art routine using bare hands) routines in the Xigang religious festival and its origin. Fourteen groups of Song-Jiang Martial Troupes of Xigang religious festival in 2015 were selected to examine. The field study, participant observation, depth interview, textual analysis were used for data collection and analysis . And the triangulation method was to use to examine the four kinds of data. The results of quanshu investigation were as follows: The fifteen categories of quanshu were to differentiate. They were Chun-Tao crane quan (春桃鶴拳) series, Wu-Dang war quan (武當戰拳) series, Lohan-crane quan (羅漢鶴) and Lohan quan (羅漢拳) series, Kunhuasansi quan (綑花散寺拳) series, Great-ancestor quan (太祖拳) series, Lohan quan (羅漢拳) series, Flying-crane (飛鶴拳) quan series, Plum flower (梅花拳) quan series, Dharma quan (達尊拳), Wing Chun quan (詠春拳) series, Yongchun quan (永春拳) series, Golden Eagle quan (金鷹拳) series, self-created martial arts, contemporary martial arts, and other single quanshu. The criteria to distinguish the spreading way of quanshu were the characters of ''self-members'' and ''support team members''. The main type of quanshu diffusion was inherited from ''major instructors'', and it's related to the ''Night Hall'' culture (to train martial arts at night). After the accumulation of history, the content of quanshu in Xigang Song-Jiang Martial Troupes had developed its unique styles. It's closely related to local culture development and necessary to survey deeper the issues.