災難美學與災難藝術之表現

The Disaster Aesthetics and Disaster Art Creations

生命，是一道長長的拋物線。凡事，總有一體兩面；就如同地球、災難與人類的依存、互動關係，在施與受之間很難有絕對性的對與錯，釐清責任歸屬的界線。「災難」和「藝術」是否有交集？「災難藝術」表現形式尚未有系統的整理與呈現，本研究旨在體現災難新面貌，以汲取其災難之美學藝術價值。災難，是潘朵拉的盒子，帶來無盡的苦痛！本研究萃取「災難」在「藝術創作」所蘊藏的養分，並對災難文獻與影像中抽離出:災難懾人的氛圍、扭曲的線條、詭譎的色彩、堅定的人性，並將之分為自然、人為、客體、未知等部分，透過平面繪畫的創作方式，融入災難美學觀點，並加入個人對災難的感受力，不只將災難現象忠實呈現，而以災難美學觀點基礎的藝術表現，在「天」、「人」、「物」、「謎」四個創作，表現災難藝術創作之美。「災難救贖」與「心靈力量」才是災難藝術的美學價值。在融入省思與災難美學的災難藝術系列表現，能建構「災難藝術」邏輯，打開心靈之眼，透視災難背後對人群、生物、環境應有的關懷與愛。透過本研究能對地球的所有生物帶來啟示作用，災難所帶來的苦難才能轉化提升心靈的藝術價值。

Life is a long trajectory. There are ups and downs in life, and there is a beginning and an end to　everything. The same is also true of our Earth; it conceives all life but also unleashes disasters. Where there　is sun, shadow follows. Just like there are two sides to a coin, the interdependence, interactions and the　give-and-take relationships between Earth, disasters and humans are complicated, difficult to be described　with simple definitions, to distinguish what is right and wrong or to decide who should be accountable for　what happened. The paper attempts to discover if there is any common ground between art and disaster.There is few systematic research or organized related data and discourse on disaster. By conducting this　research and creating the collection, this paper wishes to offer a new representation of disaster and extract　enlightening values from it.
Disaster is Pandora’s Box, only capable for inflicting pains; or so it seems. During the course of the research　and in literature review, the researcher found that “disaster” actually possesses hidden elements that can　enrich art and creativity. The key elements extracted from “disaster” are: terrifying atmosphere, twisted　lines, eerie colors and unswerving humanity. These elements are further divided into four categories:　belonging to nature, man-made, objective and unknown. Through painting, the creations integrates the　analysis of “disaster aesthetics” and understanding about the theme to deliver a mysterious and unique　representation of disaster, in four sub-series titled “firmament”, “humans”, “objects” and “mystery”.　This study found that the true aesthetic values of disaster art lie in “salvation of disaster” and the “power　of soul”. This research can shed new lights on the topic and inspire the minds and souls of audiences,　and help them see the love and compassion we need to show for the environment, creatures and people　suffering from disasters.