自我的猶疑──論龍瑛宗的杜南遠書寫

The Unstable of Self-identification：Reviewof theWriting Strategy of Du Nanyuan Novels by LongYinzhong

本文將探究龍瑛宗戰前與戰後的杜南遠系列小說。在1970年代復出文壇的他，選擇以戰前曾書寫過的杜南遠角色，接連重寫日治時代的回憶，並稱杜南遠為作家本人的化身。不少論者皆以此宣言，將戰前與戰後杜南遠系列一概論之，但忽略了背後時代的變遷。筆者以龍瑛宗小說與隨筆集為主，從文本內部與外部因素觀察，藉著歷時性的研究，旨於重新頗析杜南遠系列小說。並嘗試指出，龍瑛宗在不同時代及語言裡，塑造杜南遠角色的書寫策略。本文關注於作家讓虛構角色代言的「杜南遠宣言」，就宣言前後的作品分析，觀察作家如何在真實與虛構間，建構自我主體與認同。

This thesis investigates the pre-war and post-war novels of Du Nanyuanseries which were written by Long Yingzong. He returned to literary arena in 1970’s, and picked the character of Du Nanyuan which he had ever handled in pre-war period to re-portrait the memories and images of Japanese ruling time. He claimed that Du Nanyuan was the simulation of himself. Many viewers always judged that the pre-war and post-war novels of Du Nanyuan series were all in the same phenomena based on him claims. But such statement ignores the fundamental change and difference of time. Long Yingzong’s novels and informal essays are my main investigation pools. From the observation of internal factors and external factors , through the historic study, I try to re-portrait the novels of Du Nanyuan series, and expect to figure out Long Yingzong’s writing strategy of formulating the character of Du Nanyuan in different periods and languages. The focus of this thesis is Du Nanyuan’s claims which were represented by virtual character of Long Yingzong. Via the literature analysis between pre-claim and post-claim, I figure out how Long Yingzong constructed main body and self-identity between reality and virtuality.