| 英文摘要 |
The dialectic between affect and reason is a cross-cultural issue which originated in the West and subsequently migrated to Japan and late Qing China. Inspired by the Scientific Revolution and Western Enlightenment/ counter-Enlightenment, Chinese intellectuals such as Liang Qichao 梁啟超 (1873-1929) and Cai Yuanpei 蔡元培 (1868-1940) had acquired knowledge concerning lebensanschauung (view on life) during the 1910s. Affectionism hence arose in the debates over science and metaphysics in 1923. Lu Xun 魯迅 (1881-1936) was apparently silent during these debates, but his work of fiction 'Blessing' 祝福 (1924) shows a profound reflection on the issue. His early essays, republished in The Grave 墳 (1927), also shed light on his ruminations. This paper argues that Lu Xun had explored the dialectic between affect and reason in these essays written from 1907 to 1908. Through a thorough discussion of the adaptation of and the response to the above dialectic, this paper seeks to examine how Lu Xun responded to the cultural trends and constructed his own epistemological view by absorbing various cultural resources. Using Lu Xun as a point of departure, this paper explores the way Chinese intellectuals constructed their subjectivity and rebuilt systems of knowledge in a cross-cultural context. The first part of this article focuses its analysis on 'The History of Man' 人之歷史 and traces how rationalism, advocated by German scientist Ernst Haeckel (1834-1919), had attracted Lu Xun. The second part discusses Lu Xun's critical views on science and reason in his essays 'Lessons from the History of Science' 科學史教篇 and 'On the Extremes of Culture' 文化偏至論, so as to demonstrate how Lu Xun's discourse evolved from viewing affect and reason as a complementary pair to a full embrace of voluntarism. The third section scrutinizes how the concepts of 'shensi' 神思 (imagination) and 'xinsheng' 心聲 (voice of the mind), which Lu Xun promoted in 'A Discourse on the Power of Mara Poetry' 摩羅詩力説 and 'On Breaking Through the Voices of Evil' 破惡聲論 emerged in their historical contexts. By investigating the choice of words, the process of conceptual construction, and their related cultural contexts, this section re-examines how Lu Xun responded to Western culture by utilizing traditional Chinese resources. From highlighting Lu Xun's view on the relationships of man and the external world as well as affect and subject, this paper explores his modern poetics and epistemological outlook. |