| 中文摘要 |
Lu Xun’s 魯迅 Wild Grass 野草 Ye C ao , 1927 ) is the first important prose poetry collection in modern Chin ese literary history. While most scholarship focuses on its emotional atmosphere, complex images and metaphors, this article explores the issue of musicality as a fundamental poetic quality of Wild Grass . Through a close reading of some of the poems from Wild Grass , this article examines how Lu Xun employs the modern Chinese vernacular as a new literary language, how various stylistic devices add levels of musicality and how the language of musicality, in turn, serves as a living, pulsating aesthetic forc e that enhances the poeticity and communicability of these texts. |
本站僅提供期刊文獻檢索。
