英文摘要 |
Digital humanities is a research method where the preservation pattern of the digital text and the operation analysis of digital technology often allow for a completely new perspective on traditional literary studies. Based on the co-occurrence of authority words, this article combines both 'digitally distant' and 'textually close' reading to investigate two major topics: 'illness narratives and the imagination of animals' and 'illness narratives and the concern for a cure'. On the basis of word frequency, it examines the images of animals as they became detached from ancient mythological totems and political symbolism, focusing on the illness narratives found in Wei-Jin, Southern and Northern Dynasties 魏晉南北朝 short stories where animals are either a metaphor for the imagined source of the illness, are a part of the treatment, or play a role in the illness event. In these narratives, we observe a symbiosis between object and self, as well as a self-consciousness regarding familial unity. They also frequently imply a restlessness about the frequent transgression between different worlds. Regarding the second topic, we use the co-occurrence and interaction between authority words to investigate illness narratives related to medicine, the transformative effects illness has on the body and the mind of the sick person, as well as the interaction between the patient and others during the illness. In the endless epidemics of the medieval period, illness and death were interdependent, which led to a focus on religion and a concern about life and death. This article begins with subject matter constructed from authority words and considers illness to be a special life situation. It uses digital humanities research platforms, word frequency statistics, analyses of word co-occurrence, etc., to analyze the illness event and its structures of feeling in stories from the Wei-Jin, Southern and Northern Dynasties. The data and the visualized graphs created on the basis of this analysis clearly reveal certain phenomena or tendencies, some of which correspond to common sense, others of which provoke curiosity. The gap in meaning thus created is the starting point of digital humanities research. |