高潔的文人與優秀的劇作家：論江戶創作家眼中的李漁

A High-minded Literatus and Excellent Playwright: Evaluation of Li Yu by Edo Creators

本文就李漁在江戶時代的南畫、淨瑠璃與歌舞伎、通俗文藝中的形象進行探討。首先，論究《芥子園畫傳》、《笠翁一家言》建構的李漁形象，並由《唐土奇談》的記述，認識李漁清高超俗的一面。其次，關注18世紀著名劇作家近松門左衛門與竹田小出雲、近松半二對李漁創作思想及情節要素的繼承，考察李漁在戲劇創作上的優異表現。最後，依據曲亭馬琴對李漁生平與作品的評述、《曲亭傳奇花釵兒》對李漁戲曲的攝取，觀察馬琴眼中的李漁。冀以不同視角的檢視，勾勒李漁在江戶創作者眼中的主要面貌－－高潔的文人與優秀的劇作家。

This paper discuss Li Yu's image by means of Nanga, Joruri, Kabuki and common literature. First, discuss his image forming by Jieziyuan huazhuan (芥子園畫傳), Liweng yi jia yan (笠翁一家言), and by Morokoshi kidan (唐土奇談) to realize his high spirits. Then, with focus on 18 century famous playwrights Chikamatsu Monzaemon (近松門左衛門), Takeda Koizumo (竹田小出雲) and Chikamatsu Hanji (近松半二) in succession to Li Yu's writing thinking and episode elements, to find out Li Yu superior outstanding in drama creation. At last, according to Kyokutei Bakin's (曲亭馬琴) comments on Li Yu's life and works, and adopted Li Yu's drama in Kyokuteidenki hanakanzashi (曲亭傳奇花釵兒), to understand Bakin's thinking about Li Yu. Wish inspection from different scopes, to draft Li Yu's main characteristics, which is a high-minded literatus and excellent playwright, in the eyes of Edo creators.