論余光中詩中的女性書寫

The Research of Females on Yu Kwan-Chung’s Poetry

在每個男性的心靈深處，都有個作為美好女性形象的阿尼瑪投射其中。本文以榮格集體潛意識、阿尼瑪原型、情結等理論，連結女性與詩歌。並以余光中的現代詩作品為考察範圍，探討其詩集《蓮的聯想》以及其他有關於女性的現代詩書寫。對余光中而言，「蓮」具有美、愛，與神的綜合象徵，這些都與女性息息相關。章節架構方面，首先，論述余光中詩中的女性想像，是源於對母神的崇拜以及愛情的嚮往兩類；其次，探討詩人對阿尼瑪的現實投射，分別從母親到妻子，從親情到愛情，析論其阿尼瑪的發展及其女性情結。 Deep in every man’s heart, there is the projection of a wonderful female image of Anima. This paper combines Carl Gustav Jung’s collective unconscious, anima archetype, complex, others theories and so on, with females and poetry. This article concentrates on Yu Kwan-Chung’s modern poetry and studies his poetic anthology of Associations of the Lotus and other female poetic writing. For Yu Kwan-Chung, “lotus” has multiple symbols of beauty, love, and God, which are closely related to females. This paper is divided into two main sections. First, the statement on female image of Yu’s poetry comes from two types: Mother goddess worship and longing for love. Second, the study of reality projection of Yu’s anima comes from two ways respectively: from Mother to wife and from parental love to romantic love. From these statements, this paper analyzes Yu’s development of anima and his female complex.