論韋莊〈秦婦吟〉的敘事手法及體裁特色

本文係以韋莊〈秦婦吟〉為研究文本，以敘事學和傳統詩學為基，進行敘事與形式、體裁之分析。目的在於處理韋莊於〈秦婦吟〉中對戰爭的親身經歷的特殊敘事呈現及其敘說的視角結構分析，再者論析〈秦婦吟〉以長篇歌行體與戰亂書寫和特殊敘事呈現三者之結合意義，最終探討文本〈秦婦吟〉戰亂敘事與作者韋莊真實經歷之間的虛實映現，亦論及歌行詩體發展之古律混合現象等問題，藉以延伸過去對韋莊〈秦婦吟〉之研究。本文從敘事之敘述方式、視角與聲音分析〈秦婦吟〉一作特殊的敘事結構與設計意義，且有系統地對〈秦婦吟〉進行章節、形式、結構、體裁特色之分析，以深究文本的特殊藝術表現與價值。期望達成對敘事學、詩學之理論概念的應用，與深層建構文本〈秦婦吟〉，並深化其內容與形式之間的意義。 This study will be based on narratology and traditional theory of poetry to analyze narrating, forms and genre of Wei Zhuang's Qing Fu Yin. First, this study aims to observe how Wei Zhuang narrates his personal experiences on the battel fields in Qing Fu Yin and to analyze his point of view of narration. Secondly, it analyzes the significant of the combination of long verse, war poetry and unique narrations and third, it observes the narration of war of Qing Fu Yin as the reflection of the author's personal experience. At the end, as the expanding research of Wei Zhuang's Qing Fu Yin, this study discusses the mixture of old verse and regular verse in lyrical poetry. This study systemically analyzes the narrating structure and the meanings of form design of the text's chapters, forms, structures and characteristic of genre based on the ways of narrations, point of view and voice in Qin Fu Yin hoping to research the performance and value of art of the text. This study approaches to apply the narrating theory and poetry theory to construct the text then to find deeper meaning between the context and forms.