章潢《圖書編》易學圖式思想的「河洛」觀

On Zhang Huang's Theory on Hetu and Luoshu in Tushubian

章潢（1526－1608）《圖書編》輯收前人易學圖式，立為己意，鎔鑄成為屬於自己的新認識。在龐富的圖式理解中，〈河圖〉與〈洛書〉一系，為其重要之大宗。尤其〈河圖〉與〈洛書〉，自先秦典籍之片面記載以來，與易學系統始終存在難解之糾葛，尤其至宋代開啟緊密的聯繫關係，成為宋代以降論《易》所面對的重要元素與課題。章潢輯收諸圖，綜理前人之說，在根準於傳統《易傳》之基礎上，建立自己的認識觀點，勾勒出具體的思想主張。因此，本文主要針對其〈河圖〉與〈洛書〉之有關圖說，作為探討之主題，考索〈河圖〉、〈洛書〉相關圖說之可能發展衍化情形，述明有關圖說之具體內涵，耙梳其體現的陰陽變化之道的重要思想意義。 Zhang Huang (1526-1608) compiled a large number of Yixue diagrams devised by his predecessors and gave his own interpretations of them in his Tushubian. Among these complex and large-scale diagrams, Hetu and Luoshu are of great importance. Hetu and Luoshu have had complicated and tangled relationships with the Yixue system, which was revealed in the classics as early as before the Qin Dynasty. The tangled relationships grew into even strong bonds in Song Dynasty and have become an element and a subject that Yi philosophers had to deal with ever since. On the basis of traditional Yizhuan, by collecting various Yi diagrams and analyzed his predecessors' theories, Zhang constructed his theory and put forward concrete proposals concerning these diagrams. Therefore, with the focus on Zhang's theory related to Hetu and Luoshu, the present study aims to clarify the derivation and development of tushuo related to Hetu and Luoshu, provide a comprehensive and detailed analysis of Zhang's theory, and comb through his proposals related to the embodiment of the change of yin and yang, and explore the important meanings they convey.