英文摘要 |
This paper addresses to a deeply felt anxiety of paralysis and destruction accomplished in Ian McEwan's Saturday. The twofold anxiety in this novel not only indicates an individual experience but also amplifies a collective sense of insecurity in a wider cultural-social context. Such an anxiety is created with McEwan's use of metaphor of illness. Diseases in Saturday, demonstrating symptoms projected from the personal to the collective anxiety level, reveal a world of discordance in the post-9/11 era. With a pathological reading of the neurodegenerative diseases crucial to the development of this novel, the Huntington's Disease and the Alzheimer's Disease, this paper analyzes why medicine performs as an evaluative norm in measuring violence and trauma and how it suggests a possibility of reconciliation and compensation for the individual and collective loss. In light of Susan Sontag, this paper justifies the possibility of a neutral and value-free strategy in reading illness and its metaphors. By ascribing the brutality and injustice of pathological symptoms to the illness/health binary opposition, this paper seeks to find a way to do justice to a neutral reading of diseases. After Georges Canguilhem's notion of normatism, the reason why health bears positive social and cultural inference and illness carries negative one is examined. By resorting to Jacque Derrida's discussion of hospitality, this paper concludes that medicine, in presenting the practices of hospitality in the time of terror and in the face of disease, forecasts the possibility of compassion and consolidation. By reading the clustered symptoms of clinical implications and social influences, this paper argues that this novel is both about how we see ourselves and how we are about to see the world under the shadow of terrorism, disease, and trauma. |