從研究取徑論唐君毅與徐復觀對中國藝術精神之解釋

An Approach to the Interpretations of Tang Jung-Yi and Hsu Foo-Kuan on the Spirit of Chinese Art

本文旨從研究取徑論唐君毅與徐復觀如何解釋中國藝術精神。唐君毅對中國藝術精神的解釋，大抵採取「文化哲學」的比較觀點，從自然觀和宗教觀探討形成中西方藝術精神差異的原因，指出中西方自然含美善價值與重視自然力體驗之不同，重人倫關係與重神人關係之不同，將藝術置於人文世界作全盤考量。徐復觀則採取「歷史思想」的比較觀點，自中國內部思想脈絡的比較觀點出發，從氣韻生動解釋中國藝術精神及其「反省性反映」，南宋院畫發揚「柔須以剛大」為基柢的解釋，從「憂患意識」的價值取向論中國藝術傳統中「健動精神」之復活。 The purpose of this essay is an approach to Tang Jun-Yi and Hsu Foo-Kuan's interpretation of the Spirit of Chinese Art. Generally speaking Tang Jun-Yi's interpretation adopts a comparison viewpoint of the “Cultural Philosophy”, he discuss the reason of Sino-Western's difference from the Natural and Religious Views, overall considering the art in a Humanistic World to point out that Chinese's Natural Content of Ethical-Aesthetic Value as well as its emphasis on Ethic Relation is different from the Western's Natural Forces Experience and the Relationship between God and man. Hsu Foo-Kuan adopts a comparison viewpoint of the “Historical Thought”, and starts from a comparison viewpoint of the Chinese Internal Thought to explain the Chinese Art Spirit and its “Introspective Reflects” from the Rhythmic Vitality concept; we will see also his explanation on the Southern Song Dynasty Courtyard Paintings for developing the base of “Strong based on the Suppleness”; and lastly, from the value orientation of the “Sense of Anxiety”, his discussion about the resuscitation of the “Healthily Spirit” in the Chinese Art Tradition.