月旦知識庫
  1. 熱門:
 
首頁 臺灣期刊   法律   公行政治   醫學   財經   社會學   教育   其他 大陸期刊   核心   非核心 DOI文章
查看詳細全文
篇名
理性思辨與感官觸動的交織與衝突:托瑪斯.曼《魂斷威尼斯》中的命運之旅
並列篇名
The Interweavement and Conflict of Rationality and Sensation—The Travel of Fate in Thomas Mann’s Death in Venice
作者 林倩君
中文摘要
該小說講述了主人公對長期壓抑的寫作生活感到倦怠之際萌發了出遊的慾望,在威尼斯與波蘭少年塔秋的邂逅,使他對生活的陶醉和對藝術的追求達到了忘我的境地,以至最終染疾而走向毀滅。威尼斯羅曼蒂克的外觀下,城市內卻瘟疫蔓延,映照出主人公充滿矛盾的人格特質。小說中曼表達了對尼采戴奧尼索斯精神的讚賞,並間接否定了叔本華壓抑生命意志的藝術哲學。然而,現實生活中的曼則是偏愛後者。如他所言,在生活中謳歌本能,不過是「一時的修正」。本論文就小說的寫作動機、敘事結構和人物塑造進行了分析與探討,以及對其所蘊涵的尼采和叔本華的美學思想進行了詮釋。 The novella Death in Venice narrates the story of the writer von Aschenbach. He writes diligently for years without slackening his ef-forts. Just as his ascetic lifestyle is taking a toll on him, a chance en-counter with a traveller suddenly inspires him anew. His encounter with a handsome young Pole, Tadzio, in Venice, brings his passion for life and his pursuit for perfect art to a condition of ecstasy. As a result, he totally ignores the prevalence of cholera, which conse-quently results in his illness and ruin. The vacancy of his emotional world coupled with his high position as an aristocrat forms an internal conflict within him that cannot be resolved. The description of Venice city life reflects his personality: despite the romantic scene in Venice, cholera is widespread in the streets. In Mann’s work, he expresses his appreciation of the spirit of Dionysus in The Birth of Tragedy, which was written by Friedrich Nietzsche. He also indirectly rejects Arthur Schopenhauer’s philosophy of arts that represses life will. However, Mann favors the latter in his life, saying that praise of drives in life should be merely considered a “temporary correction.” The research will analyse and probe into the motivation, narrative structure, and characterization of the writing. It will explain the internal conflict artists often experience, as well as the aesthetics of Nietzsche and Schopenhauer implied in the novel. It will also dig into possible rela-tions between the author and the protagonist in terms of background and characteristics.
英文摘要
The novella Death in Venice narrates the story of the writer von Aschenbach. He writes diligently for years without slackening his ef-forts. Just as his ascetic lifestyle is taking a toll on him, a chance en-counter with a traveller suddenly inspires him anew. His encounter with a handsome young Pole, Tadzio, in Venice, brings his passion for life and his pursuit for perfect art to a condition of ecstasy. As a result, he totally ignores the prevalence of cholera, which conse-quently results in his illness and ruin. The vacancy of his emotional world coupled with his high position as an aristocrat forms an internal conflict within him that cannot be resolved. The description of Venice city life reflects his personality: despite the romantic scene in Venice, cholera is widespread in the streets. In Mann’s work, he expresses his appreciation of the spirit of Dionysus in The Birth of Tragedy, which was written by Friedrich Nietzsche. He also indirectly rejects Arthur Schopenhauer’s philosophy of arts that represses life will. However, Mann favors the latter in his life, saying that praise of drives in life should be merely considered a “temporary correction.” The research will analyse and probe into the motivation, narrative structure, and characterization of the writing. It will explain the internal conflict artists often experience, as well as the aesthetics of Nietzsche and Schopenhauer implied in the novel. It will also dig into possible rela-tions between the author and the protagonist in terms of background and characteristics.
起訖頁 223-266
關鍵詞 歐洲文學藝術觀現代主義文學中的哲思唯美主義European literatureview of artmodernismphilosophy in literatureaestheticism
刊名 歐美研究  
期數 201806 (48:2期)
出版單位 中央研究院歐美研究所
該期刊-上一篇 識別永續性:美國永續農業的測量與類型
該期刊-下一篇 美國聯邦憲法增修條文第4條 搜索令狀原則的新發展:以Jones, Jardines & Grady案為例
 

新書閱讀



最新講座


優惠活動




讀者服務專線:+886-2-23756688 傳真:+886-2-23318496
地址:臺北市館前路28 號 7 樓 客服信箱
Copyright © 元照出版 All rights reserved. 版權所有,禁止轉貼節錄