記憶編織與家國印記：《遺山樂府》之身世書寫

Memory Fabrication and Impression of Motherland: Life Experience in Yuan Hao-wen’s “Yi-Shan Yuefu”

本論文以元好問《遺山樂府》為主題，探討其中身世書寫的多重組合模式，主要歸納出四個面向，分別為「進退失據的生命體驗」、「記憶編織與家國書寫」、「自我消解之身世書寫」、「香草美人與黍離麥秀之結合」。藉此探究於世變紛擾之際，元好問如何透過「書寫」來發聲，在漂泊與尋歸的過程中呈現其豐富的生命歷程，映現其特有的身世之感，並開啟《遺山樂府》的多元詮釋視角。

This paper studies poems taken from “Yi-Shan Yuefu' to illustrate Yuan Hao-wen’s different modes of representation of his own life. The study reveals four aspects of Yuan’s life saga as the following: 'a sense of life as a dilemma,' 'memory fabrication and writing on motherland,' ' life as self-cancellation,' and 'double identities: the beauty (loyal subject) and the outcast.' I explore how, in a time of disruptions and chaos, Yuan Hao-Wen uses writing as a way to speak for himself, representing a life rich with experience of migration and a constant longing for returning home. I hope to bring out the unique quality of Yuan Hao-wen’s self-representation, and to initiate further readings of “Yi-Shan Yuefu.” .