越南黎朝進士題名碑紋飾之研究――越、中紋飾之比較

A Study on Decorative Art of Jinshi Bei in Le Dynasty―A Comparison Between Vietnam and China

進士題名碑作為越南國家對傳統儒學重視的重要標誌。中國儒家文化影響了越南社會的價值體系，因此越南儒學是中國儒學與越南本土文化的綜合型。黎朝進士題名碑紋飾從黎初到黎中興已有明確改變，從簡單到複雜和最後是固定化。越南黎朝進士題名碑系統的發展與完善不僅呈現越南人對儒家文化的態度，更重要的是呈現出越南歷史發展的規律。本論文一方面釐清整個越南黎朝進士題名碑紋飾發展脈絡，同時根據中越進士題名碑的紋飾比較，進一步說明越南進士題名碑系統的傳承與新變的重要內涵所在。

Jinshi Bei has been regarded as an important symbol of Vietnamese traditional Confucianism. Besides, Vietnam Confucianism is an integration of the China Confucianism and the native Vietnamese culture. The decorative art of Jinshi Bei in Le dynasty (from early Le dynasty to Le Trung Hung) has much changed from simple to complicated and finally to fixed norms. This paper studies the tradition and transformation of the decorative patterns of Vietnamese Le dynasty Jinshi Bei, thereby makes a comparison of the decoration of Jinshi Bei between Vietnam and China, and discusses its contribution to the development of social culture in Vietnam.