電影《哪啊哪啊～神去村》對神話原型批評之運用與操演分析

An Application of Archetypal Criticism in Literary Analyses Using Wood Job! as an Example

不少大眾娛樂文化如電影、劇本、小說、電玩事業，為滿足閱聽人潛意 識對「英雄歷險」的需求與渴望，均借用坎伯所提出「啟程—啟蒙—回歸」 此一有如定式般的英雄歷險三階段進行創作、改編。本文以電影《哪啊哪啊 ～神去村》為研究對象，探討它如何運用此一歷險作為男主角平野勇氣的成 長儀式，也指出電影裡「神去村」這個讓男主角在當中冒險、也幫助男主角 變得成熟的地方，因為同時具備了「樂園」與「神聖時空」的性質，而有別 於現代社會的大都市。文末，並藉由宗教歷史學家伊利亞德對凡俗空間與神 聖空間的解析，說明「神去村」的存在價值與意義。

Nowadays, the departure-initiation-return structure is widely adopted by various genres of mass entertainment and culture, including movies, plays, fictions, and video games, to satisfy their audience's unconscious desire for heroic adventures. Many authors use the three-step framework proposed by Joseph Campbell in their own creation. This article discusses how “Wood Job!” applies this approach to depict a young man's long journey to growth. Additionally, it describes the uniqueness of Shen-Qu Village where the protagonist adventured and transformed based on Mircea Eliade's analyses of profane space and sacred space. It states that it is the nature of paradise and the sacred time and space that distinguish Shen-Qu Village from metropolis.