新戲生成、女性閱讀與遺民意識：朱素臣《秦樓月》傳奇寫作與刊刻的前因後果

Drama Composition, Female Reading and Loyalist Complex: Composition and Publication of chuanqi Drama Qinlou yue by Zhu Su-chen

清康熙十五、六年之間，蘇州戲曲家朱素臣（1621？-1701後）受吳綺（1619-1694）之托，以當時人姜實節（1647-1709）和陳素素（1657-？）的情緣遇合故事為藍本，撰寫新戲《秦樓月》傳奇。在劇中，朱素臣將才子佳人悲哀離別的故事改寫成團圓喜慶的結局，藉以「為多情開生面」。此劇附刻的陳素素《二分明月女子集》和「二分明月女子小照」，在江南才女中廣為流傳，諸名媛先後題詠，引起強烈共鳴，對陳素素的不幸遭遇深表同情。《秦樓月》傳奇的寫作與刊刻，得到吳綺、尤侗（1618-1704）、陳維崧（1625-1682）、余懷（1616-1695）、李漁（1611-1680）等著名江南文人的青睞。他們藉此劇的寫作與刊刻，寄託獨特而深沈的遺民意識，這從一個側面表現出清初江南文人的文化活動與文化追求。

Between the fifteenth and the sixteenth years in the Kangxi reign of the Qing Dynasty, Suzhou playwright Zhu Su-chen, under Wu Qi (1619-1694)’s request, composed a new chuanqi drama Qinlou yue (Moon above the Qin Building). He based the drama on a contemporary love story between Jiang Shi-jie (1647-1709) and Chen Su-su (1657-？), but changed the tragic ending of separation into a happy one of reunion. Erfen mingyue nüzi ji (Anthology of Erfen Mingyue Nüzi), printed as an appendix to the drama, widely circulated among the talented women in southern China, who were greatly inspired by it and successively responded in verses. Besides, famous literati in southern China, such as Wu Qi, You Tong (1618-1704), Chen Weisong (1625-1682), Yu Huai (1616-1695) and Li Yu (1611-1680) and so on, paid special attention and contributed to the composition and publication of the drama, through which to convey their dynastic nostalgia as Ming loyalists. This event reflects the cultural activities and cultural pursuits of the southern literati in early Qing China.