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篇名
母土與父國:李喬《情歸大地》與《一八九五》電影改編的認同差異
並列篇名
The Mother Earth vs. Fatherland: The Difference of Identification between the Movie Script My Love to My Mother Earth and the Movie 1895
作者 黃惠禎
中文摘要
李喬以1895年吳湯興等人抵抗日軍接收的歷史為題材,創作出《情歸大地》電影劇本,後來這部劇作被改編成《一八九五》電影隆重上映。本論文主要從李喬《情歸大地》劇本與《一八九五》電影改編的互文性出發,分析這兩種文本在認同上的差異。研究發現李喬從吳湯興遭到來自中國大陸的父親遺棄,從此與母親關係更為緊密的身世經歷,找到母親與台灣土地連結的依據,「母土/台灣」與「父國/中國」遂成為《情歸大地》劇本中的兩個對照組。藉此李喬不僅傳達他個人認同母土的思想,也以台灣土地連結各族群的關係,為台灣人尋找建立共同體的基礎。反觀《一八九五》改編電影,雖然同樣傳達愛台灣的理念,但台灣是作為一個地方名詞而存在,保衛台灣鄉土也是效忠父國的一種形式表現。由於李喬的土地認同是從生活層面建構而來,以「情歸大地」為劇本名稱,正是表達從人民生活出發的庶民立場;電影改編採用「一八九五」為標題,則是以一個國族史大敘事的角度來重構這個故事,於是父權體制成為必得維護與鞏固的社會制度,女性角色也因而複製了父權社會傳統婦女的形象。
英文摘要
Li Qiao, employing the historical theme of Wu, Tang Sin and his comrades’resistance to the Japanese takeover in 1895, created My Love to My Mother Earth moviescript, which was adapted into the movie 1895 with a grand release. This paper, mainlyfrom Li Qiao’s My Love to My Mother Earth script and intertextuality of 1895 movieadaptation, analyzes the two text differences in the recognition.Study discovered that Li Qiao, from Wu, Tang Sin having been abandoned byhis father from mainland China; henceforth developed closer personal life experienceswith his mother, found the basis of her links with Taiwan’s land. “The Mother Earth /Taiwan” and “Fatherland / China” became the two control groups for the script of MyLove to My Mother Earth. Li Qiao not only conveyed his personal thoughts on agreeingwith the mother earth but sought the foundation of community establishment based onTaiwan’s land links among the various ethnic groups. The adaptation of the film 1895conveys the same idea of loving Taiwan, but Taiwan exists as a local term and defendingTaiwan is a form of allegiance to the performance of the parent country.As Li Qiao’s Land identity is constructed from all aspects of life, the script nameof My Love to My Mother Earth is to express Plebeian standpoint from common people’s lives; film adaptation 1895, as the title, reconstruct the story from the perspective ofgrand narrative of the national history, thus the patriarchal regime became a musthavesocial system of maintenance and consolidation, women’s roles are thus copied thetraditional women’s image of the patriarchal society.
起訖頁 183-210
關鍵詞 李喬情歸大地一八九五認同電影劇本台灣文學Li QiaoMy Love to My Mother Earth1895IdentificationMovie ScriptTaiwanese Literature
刊名 台灣文學研究學報  
期數 201004 (10期)
出版單位 國家臺灣文學館籌備處
該期刊-上一篇 (新)女性的出走與回歸──以八、九○年代《聯合報》小說獎為主兼論媒體效應
該期刊-下一篇 拓拔斯‧塔瑪匹瑪〈最後的獵人〉篇章結構探析
 

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