一種餵養記憶的方式──析論達德拉瓦‧伊苞書寫中的空間隱喻與靈性傳統

An Approach to Recall the Memory: TheStudy of The Space Metaphor and SpiritualTradition in Dadelavan Ibau’s Writing

台灣原住民族文學的書寫與學術相關研究，至今仍多停留於以邊緣逆寫中心的敘述模式，卻忽略傳統文化中泛「靈」信仰的靈性傳統（spiritual tradition）。本文意圖以台灣原住民女性作家達德拉凡•伊苞的藏西遊記《老鷹，再見》為主要分析文本，輔以「空間」與「靈性傳統」為解讀進路，論及該文本中對於神話、女性與殖民主義的空間隱喻，以及巫師的身體實踐，將沉澱的部落記憶重新召喚而出。並且，深入探究蘊含泛靈信仰與祭儀書寫的文本，演繹出相異於漢人的宇宙世界觀（worldviews）、物質文化（material culture），以及看待歷史的觀點和方式，以原住民族靈性文化的精神作為族群象徵性資本的詮釋，藉由記憶與現實情境的相互疊影，形構原住民族再出發的位置，開展對台灣原住民族文學研究的方向。

The current researches on Taiwan Indigenous Literature are mostlyfrom the perspective of minority writing back to observe the main stream.However, in this way the spiritual tradition in the indigenous culture isoften ignored. Via the concept of “space” and “spiritual tradition”, thispaper analyzes Miperepereper I Kalevelevan Aza Aris , written by femaleindigenous writer, Dadelavan Ibau, approaching to the space metaphor ofmyth, women and colonialism, and the system of medium's bodily signsby which the group memory is reminded. Further, the comprehensivespirit and ceremonial writing in the text derive a different point of viewfrom the worldviews of the Han people, their material culture and theinterpretation of history. Regarded as a symbol of the indigenous groups,the spirit-oriented culture, through the complement and support of thepast and present, will have a critical position in the study of the TaiwanIndigenous Literature.