《莊子》有美學嗎？：重構《莊子》美學

Is there an Aesthetics in Chuang-Tzu?－A Reconstruction

本文簡要說明哲學美學、藝術審美、存有論美學等等進路在詮釋與重構《莊子》美學時可能都有其一定限制，以及在釐清探究《莊子》美學的一應課題之後，推斷《莊子》的美學思想已然凸顯了特定的當代既有之美學規模無法範限的特立獨擅的特質，繼而嘗試提供一種突現美學觀點重構出《莊子》美學，並闡釋其涵義。

In this paper I want to illuminate the problem of the aesthetics of Chuang-Tzu and to point out the approaches of philosophical aesthetics, artistic aesthetics, and ontological aesthetics are all have their restrain in interpreting and reconstructing the aesthetics of Chuang-Tzu. After I clarify the task of inquiring the aesthetics of Chuang-Tzu, I conjecture the aesthetics of Chuang-Tzu has a unique characteristic that is beyond the dimensions of modern aesthetics, then I tout a vantage point of emergence aesthetics, with which I reconstruct and elucidate the contents of aesthetics of Chuang-Tzu newly.