張玉孃《蘭雪集》詩歌析論

An analysis of ZhangYuNiang's LanXueJi poetry

宋末元初女文人張玉孃，蕙質蘭心，素有文采，當代以漢成帝宮人班婕妤相比擬，其作品由後人輯錄為《蘭雪集》。歷來對於張玉孃研究有限，實與其作品流傳不廣有關，遲至明代王詔為其作傳，清順治年間孟稱舜為其重修「貞女墓」，並據張玉孃生平事著傳奇《張玉娘*閨房三清鸚鵡墓貞文記》，張玉孃稍為世人所知。然相關記載多著墨於張玉孃與沈佺堅貞情感。本文企圖擴大研究範圍，探討張玉孃所著詩歌的情感、其風人體寫作特徵及《蘭雪集》詩歌呈現的意義。

In the Song Dynasty, the female scholar “ZhangYuNiang＂ was adroit and talented. She was compared with BanJieYu by her contemporaries. Collection of her works compiled by later generations as the LanXueJi. The scholarly research ever studied of ZhangYuNiang's works was limited, it was connected with her works are not widely spread. Until as late as the Ming Dynasty, WangZhao had a biography about ZhangYuNiang, in the Qing Dynasty MengChengShun was rebuild the tomb of ZhangYuNiang, and according to her life story writed ChuanJi that was a drama about the legend of ZhangYuNiang. So ZhangYuNiang had slightly known by some other persons. Related records linked in ZhangYuNiang and ShenQuan's strong emotion. This paper attempts to expand the scope of the study, written by ZhangYuNiang discussed poetry's emotion and the wind the body writing features lanxue collection of poetry and meaning.