英文摘要 |
Metrics and prosody are in Appollinaire‘s poem Le pont Mirabeau the two main factors of its poetic rhythm. This metrics, far from being purely conventional, contributes to the semantic structure of the poem, and constitutes a challenge to its reading, both through a tension between metrics and syntax, by creating diverse enjambements, which emphasize the rhythm of the verse, and because the metrical system, which is indeed a polymetrics, pervades the whole poem with a rhythmical ambiguity which blurs the usual meaning of words. In such a rhythmical context, prosody redistributes the metaphoric material into phrasing, composes a poetic reality. |