威廉‧霍曼‧亨特繪畫作品中真實性之展現

The authenticity of William Holman Hunt's Paintings

本篇論文以十九世紀英國拉婓爾前派(The Pre-Raphaelites)藝術家威廉‧霍曼‧亨特(William Ho lman Hunt, 1827-1910)的繪畫為研究主題。亨特的繪畫風格以細緻描繪、飽滿色澤以及具豐富象徵意義的圖像聞名。是怎樣的創作模式，讓亨特的作品可以兼具真實性的描繪，同時又保有豐富的寓意性及獨創性的觀點，將是本文所要探討分析的地方。因此本文將探討亨特如何把眼睛所見之其實性事物，與不可見信仰間的拉鋸呈現於其繪畫作品裡頭。故以下將以《道德的良知》、《世界之光》、《無辜者的勝利》為討論的重點，輔以拉斐爾前派藝術、亨特的藝術理念等三個面向來作探討。亨特在其創作歷程中，替英國藝術開創出了創新的藝術觀點，以及繪畫風格，不斷以新穎、不同以往的題材畫面，衝撞當時的藝壇體制。希望藉由上述的研究安排，能將亨特的藝術觀及其作品做較完整的呈現。

The article aims to the Pre-Raphaelite paintings by William Holman Hunt (1827~1910). His paintings were known for their great attention to detail, vivid color and elaborate symbolism. For instance, Hunt’s works focus on morality, religious stories and medieval romantics. His religious paintings are so attractive due to its various symbolic accessories and overflowing symbolic realism. This is the main topic that will be conferred and analyzed in this article. Therefore, the following will be the The Awakening Conscience, The Light of the World , The Triumph of the Innocents as the focus of discussion, and also explore the art of the Pre-Raphaelite and William Holman Hunt’s attitude towards art.William Holman found an innovative viewpoint towards art which deeply influenced British art; such as he opposed to the academic style of art required by the oppressive Royal Art Academy of England. Through this article, it can deeply demonstrate and analyze his painting works clearly.