臺灣當代詩的女性體液書寫

本文旨在考察以血露為核心的女性體液，如何成為台灣當代詩的重要符碼，並展現出各具姿采的面貌。除了討論夏宇、顏艾琳、江文瑜等幾位主要詩人的表現，另外擴及若干年輕作者晚近的文本，並連結男性詩人陳克華的相關書寫，著重掘發體液符碼在抒情與敘事上的現代效能。這些詩人大多走上「得體」的反面，流露出對社會體制的不滿，以及越界的慾望。於是體液所蘊含的負面力量，便成了詩意生產的新來源，並製造出抒情轉換的契機。

This essay aims at exploring how the female body fluids that take menstruation as core came to be important symbols in contemporary Taiwanese poetry, and showed various wonderful transfiguration. In addition to discussing the performances of three main poets-Xia Yu, Yan Ailin, Jiang Wenyu, also extending to several recently texts written by young authors, then connecting with the correlative writing of Chen Kehua the masculine poet, to discover specially on the modern potency of body fluid symbol in lyric and narrative. These poets mostly step onto the reverse side of “appropriateness”, reveals their disaffection for the social system, as well as desire for “border crossing”. Thus the negative strength contained in body fluids, constitute the new origins of poetic production, at the same time, create opportunities for lyric transforming.