唐代敦煌在地作品中的場域記憶及其特徵

Field memories and characteristics of indigenous works from Dunhuang in the Tang dynasty

本文以敦煌為主體對當地創作進行考察。敦煌當地人士所吟詠的敦煌，立基在長期、原鄉的生活經驗上，與中原人士短期居停的異地感受有所不同。如：中原人士邊塞詩好寫冬景，敦煌地區的詩歌則多寫春光，具有特殊的邊塞文學風貌。經由對這一類作品的梳理，可得出當時、當地人眼中的敦煌印象；而透過中原與敦煌地區作品的比較，則可以進一步凸顯出邊塞地區之邊塞文學的特色。經考察，敦煌在地作品具有「四面六蕃圍的環境覺知」、「沒蕃的傷痕記憶」、「三危山、莫高窟地標的認同感與臨場感」、「地方傳說、本土英雄故事的傳誦」等在地集體場域記憶；而由「生活細節的呈現」、「日月年光的變化」、「思想文化的染習」等方面，則可比較出由於作者與場域間共時歷程久暫的不同，作品之在地性、在地化內涵也發生變化。

This article focuses on the local literary creations of Dunhuang. The Dunhuang described in the literary creations of indigenous Dunhuang people was based on their long-term and native life experiences, which differed from the foreign sentiments of short-term residents from Zhongyuan. For example, while the frontier poems of the Zhongyuan people favored descriptions of winterscapes, poetry from the Dunhuang region favored spring, with a unique frontier literary style. By collating works in this category, we were able to gain an impression of Dunhuang through the eyes of indigenous people in that era. In addition, by comparing the works of the Dunhuang and Zhongyuan regions, we were further able to highlight the characteristics of frontier literature in frontier regions.