《天涯海角》與《母系銀河》的「父系」「母系」追索－－兼論散文的「歷史／家族」書寫

Chien Chen's 'Tien Ya Hai Jiau' and Chou Fen-ling's 'Mu Hsing Yin Ho'

台灣當代女性散文在「歷史／家族」的書寫上，多半結合了女性的身分、文學抒情的角度、並運用散文的特質，或復原或追溯或重整一份屬於自己的（或家族的）歷史與譜系。但在這些看似相同的書寫基礎上，是否呈現相同的思維與視野，可以整合為一種「女性歷史／家族」散文書寫的共同意義？本文以《天涯海角》與《母系銀河》為基礎，放在「女性的」、「家族（歷史）的」、「散文的」三者連結的架構下，一方面探索台灣當代女性散文的歷史／家族書寫所提供的觀點，一方面觀察散文形式在既虛擬又龐蕪的歷史／家族書寫裡，可運用的書寫策略，以及達成的效果。

The most writings of Taiwan contemporary female essays are combined with the role of females, the angel of literal expression and utilization of traits of essay, or try to recover, pursue or reorder her own (or family's) history and genealogical tree. But on these similar writing bases, can it present the same thought and scope, and even integrate as a common meaning of the essay writings of female history/family? This article was based on ”Tien Ya Hai Jiau”《天涯海角》and ”Mu Hsing Yin Ho”《母系銀河》to put in the structure of three joints of ”female”, ”historical” and ”essay” to explore the viewpoint provided by writings of Taiwan contemporary female essays and observe the achieved effect of writing strategy of essay forms based on unreal and disorder historical/family writings.