英文摘要 |
As a trend to reconstruct the literary history hit the literary sector in the 1990s, the critics noticed that the special literary field of the 1950s was filled with the official ideology on one hand and an ”undercurrent” on the other hand. Meng Yao, who had been considered to lack the social consciousness, returned to the stage of literary history as a writer of ”excelling anti-communism literature.” Most critics, especially those researchers from the perspective of the feminine ideology, focused on the fiction that Meng Yao composed between the 1950s and 1960s and on her works that reveal the special meaning in the feminine fight for ”private self” against the state theory. Nevertheless, the historical novels with millions of Chinese characters that Meng Yao composed during her historical studies since the 1970s did not catch the eye. Today, these novels are both the milestone in the latter stage of Meng Yao's literary composition and the accomplishment of her historical observations. Among the historical novels, most of which were named with the Chinese character ”Zhuan” (Meaning: Legend), ”Qiu Jin: Female Knight-Errant of the Jian Lake” is the earliest novel, while ”Feng Yun Zhuan” is the latest one. Some other ”Zhuan” novels are ”Du Fu Zhuan”, ”Ying Jie Zhuan”, and ”Long Hu Zhuan.” ”Feng Yun Zhuan”, a historical novel with more than 400,000 Chinese characters, is not only the accomplishment of Meng Yao's historical studies but also the last work in her latter stage of literary composition. ”Feng Yun Zhuan” retold the history and created a historical novel with the ”feminine perspective.” In what kind of feminine writer perspective was that novel written? What was hidden as the ”undercurrent” meaning? To find out the answers, this study will unlock the special meanings of ”Feng Yun Zhuan”, a historical novel by Meng Yao. |